Make Peace with Holiday Writing Progress

sun tree“Christmas is the season for kindling
the fire of hospitality in the hall,
the genial flame of charity in the heart.”
~Washington Irving

I hope you are giving yourself a gift of time this year: time to spend with family and friends, time to sit and dream (i.e., pre-write & plan), time to be kind to yourself.

Perhaps you’ve been very motivated all year and focused on your writing projects. Now, it may be frustrating to feel you’re making little progress due to the “holiday dash.” Or, perhaps you’ve thrown yourself into the holiday celebrations BECAUSE you’ve made little progress this year. In either case, the following writing-related activities will keep your head in your project with a few snippets of time throughout the week. They are all related to pre-writing, which is an important stage in writing. If you can find time now to do a few of these, you’ll have that pattern established once the holidays end and your time frees up a bit.

1. Back off on your expectations (and this applies to non-writing parts of life, too). This is NOT the time to set outrageous goals to get your family to support or encourage you as a writer. Be realistic. If you normally make time to write four days a week, aim instead for two or three days per week during December and early January. You have twice the work load with holiday shopping and prep (especially if you’re hosting family for dinner or celebrations).

2. Select 2 writing-related activities in lieu of adding word count. Items for this list might include:

  • reading (especially in the same genre as your project)
  • exploring publishers
  • finding authors similar to your project (for the pitch letter)
  • drafting a project summary or cover letter
  • making outline notes (or even thinking about how your character will face the next obstacle)

These are all related to writing and your current project, even if some do not include putting words to paper. For example, reading articles about writing craft in a magazine or on a website will help you with your writing after the holiday prep is completed.

The challenge of writing "on demand" pushes beyond the comfort zone.

3. Keep a notebook with you. Jot thoughts about your work-in-progress. (How do your characters celebrate the holidays? Which holidays occur during the course of your story?) While you’re in the holiday crowds (or at family gatherings), note mannerisms and oft repeated phrases. These could become character tags in your story, or provide a detail to make a character come alive. Note memories triggered during holiday activities. Then, journal about them.

4. Journal. If you don’t normally journal, now is a great time to begin. Journaling is a way to put words to paper on a regular basis, even if it’s only a few paragraphs or a summary of your busy days. (These details can come in handy when you return to your regularly scheduled writing routine.) Journaling can also help clear your mind and allow you to focus on tackling the holiday to-do list.

Think of the above as similar to working out. It’s much easier to get back into full swing after the holidays when you’ve kept the writing muscles warmed up with writing-related activities.

WhitePineSeason’s Greetings, and happy writing!

This is my wish for you:
peace of mind, prosperity through the year,
happiness that multiplies, health for you and yours,
fun around every corner, energy to chase
your dreams, joy to fill your holidays!
~D.M. Dellinger

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Writing is Like an Iceberg

icebergOnly the writer knows all that lies beneath the surface.

As northern weather begins to cool, the mention of icebergs may feel like hitting below the belt; however, it really is the best analogy for crafting a solid story or informational article.

For nonfiction, a great deal of research goes into every article, and more so for a book. The writer cannot possibly share every fact and thought about the topic, though. The goal is to share information and insight, not overwhelm the reader. When I research for a nonfiction book, perhaps 75 percent of the research ends up in the finished product, sometimes less. Yet the percent “unused” is not wasted; it is essential to my understanding of the topic and so it is “present” beneath the surface.

The same is true for fiction. Though the author may not need to conduct research (unless writing historical fiction or centering around a real event) there is still a great deal of information, planning, and thought that goes into a novel or even a short story. Everything the writer knows about the characters’ personalities, back stories, relationships (past and present), events that shaped the “person,” how the characters act and react (and why), and even their futures is important to the story. Yet only a small percentage of that information is provided to the reader. (In comparison to my nonfiction, when I write fiction, perhaps 25 percent of research and background goes into the story.) The majority of all the writer knows is below the waterline, providing a foundation for what appears above the water. The reader must become engaged with the small portion visible.

King-good-booksjpgThis is one of the hardest concepts for new writers to understand, especially when writing fiction. This is also where the “show; don’t tell” rule-of-thumb arises. Inexperienced writers want to provide every detail about a character, want to ensure the reader “gets” what they have created, and want to be recognized for being clever. As they gain more experience, they realize that writers can reveal a lot and hint at plenty of background without sharing every detail and nuance of a character’s history or personality.

Truly, holding something back and providing hints at a character’s past makes the story more engaging. If the foundation is there, the story will stay afloat. Keep icebergs in mind as you write–and trust your ability to reveal details as needed for the reader to understand each moment in the story (scene by scene).

Don’t Kill Time: 9 Tips for Writing Workplace Organization

I’m trying something different–a guest blog! Freelance writer and blogger, Emily Johnson, shares tips for making your work space efficient. This is an essential tool for writers. (Learn more about Emily and her work in the bio below.) 

Do you want to be more productive with your writing?

A productivity boost could help you work more efficiently and, therefore, complete tasks in less time. It also means having time to spend with family, relatives, and friends. In short, productivity is a key to success.

Even though it’s hard for writers to measure a level of productivity, you should bend over backwards in order not to kill time.

In fact, it is easy to boost productivity. The first thing to do is to organize your workplace.

Here are nine tips for workplace organization. 

  1. Keep your writing desk clean.
  2. Provide a proper illumination.
  3. Use digital gadgets to increase productivity.
  4. Put in live plants to clean the air and boost spirits.
  5. Use stickers to write down useful notes.
  6. Upgrade your computer.
  7. Find an inspirational corner.
  8. Pick up an ergonomic office chair.
  9. Add some comfort and health.

 If you want to change your life once and for all, take a look at this infographic about writing place organization by OmniPapers. It is a step-by-step guide for organizing a workplace, so you can learn more nuances of about this art. Plus, the infographic is easy to save, print, and reveal key moments later. Don’t be greedy; share it with your friends and colleagues, as it might be helpful for all writers (and workers). 

There is no better feeling in the world than living a happy life. It’s not a tricky thing to boost your productivity and start a better life right now.

your writing cabinet organization

 

Bio: Emily Johnson is a passionate blogger and content strategist at OmniPapers blog, who shares tips and tricks with fellows, helping them improve writing skills. You can always find more works of hers on G+.

After the Draft

Many new writers confuse editing with revision. Editing is one of the later stages and is focused on cleaning and polishing of your prose. During this stage you (try to) catch typos, misspellings, incorrect grammar, and ensure you have clean presentation (check formatting) and have carefully followed the guidelines for your submission. Editing is often completed by someone at the publishing house. But it should also be completed by the writer and is often possible in a single pass.

onestepattimeRevision, on the other hand, comes a bit earlier in the writing process than editing. It is also completed in numerous passes and/or various attempts. During writing workshops when someone asks, “How many times do you revise?” I tell them it depends. I revise as many times as it takes to ensure it’s clear and the best prose I’m capable of writing at this point in my career. This is never what the participants want to hear but it’s a reality of the writing world. If you want to publish, this is what you do.

It helps to think of revision as “rethinking” your story. Now that you have your draft–your story framework and basics–on paper, you can shape it, like clay; refine and rework it as you ask yourself questions about characterization, point of view, use of dialogue and detail. Perhaps you’ll even try a different approach in plotting or viewpoint for a scene or two. Revision is about refining but also developing and deepening the story so the reader has the best possible experience.

not-writejpgMost writers break revision into section or passes. How you approach it is up to you; it depends on your creative approach. Some writers draft and then revise a bit, draft and then revise, but eventually, they reach a point where they are focused on reshaping and rethinking (rather than adding chapters and pages to the manuscript). I’m in the camp of getting a complete draft on paper and then playing around with the writing elements, expanding and deleting scenes, rethinking, shaping, looking at the draft with fresh eyes: re-visioning.

REVISION CLASSES:
If you’re ready to learn more about “looking again” at your draft and revising, I have a revision class starting Wednesday, October 28 through ACE (Adult and Community Education) in Naples, Fla. Find details on my website workshops page.

“Quiet Mind” Writing Days

Other types of creativity can help awaken story and get the words flowing.

Other types of creativity can help awaken story and get the words flowing.

I’ve created several creativity programs for writers within the past six months and I’ve noticed something interesting among the participants: they try to jump into the “words on paper” part. Sometimes we need to quiet the mind first to allow ideas to surface.

Why do writers think they aren’t writing if words are not flowing onto the paper? Sometimes we simply need to sit, think about our stories or projects, or even brainstorm with friends. If you’re a writer, it is okay to sit and stare off into the day and consider possibilities for your characters or plot. It’s okay to find the best events in a personal experience you plan to craft. In fact, current neuro-research suggests that quieting the mind is how we allow ideas from our subconscious to surface. (This is why you might get great ideas while you’re doing something monotonous such as washing dishes, gardening, or scrubbing the shower.)

Take a clue from Rodin's The Thinker.

Take a clue from Rodin’s The Thinker.

Where does this idea come from that writers shouldn’t think about our stories or craft in our heads before heading to the computer? (Even my college students jump to the drafting stage too quickly.) Pre-writing is important, and while students learning how to write are expected to show their pre-writing in the form of mind maps or outlines, professional writers often do all that planning in their heads. I think this idea that we should not sit quietly may come from a need to be taken seriously as writers. If we look busy and are clicking away on the keys, maybe our families will allow us to make progress on our novel or project. If we look busy, maybe life won’t get in the way. Or, perhaps staring into space and thinking about plot events for a work-in-progress doesn’t feel the same as having something to show for the time and so busy work keeps you from actually writing.

I know that my own life gets busy too quickly and then that frantic pace sets in. Sometimes it’s not even frantic action but simply frantic thoughts. I used to clear my mind every morning by dumping all my thoughts and worries every morning. Then I could focus on my project or making progress on contracted work. Some may recognize this as “morning pages” suggested by Julia Cameron in The Artist’s Way. I followed that advice when I worked full time and tried breaking into print part-time.

Now that I write full time I need to take breaks to recharge during the day. Sometimes I need to quiet my mind and I use painting or music or cooking, or what I call productive procrastination. People may think the character collages I create are simply a way to avoid writing but I’m making progress on a specific book project. In actuality, these “arts and crafts” activities help me clarify details for my story.

 

A sample character collage for a YA novel work-in-progress

A sample character collage for a YA novel work-in-progress

While I am actually making these collages, my mind is quieting and I have time to pre-write or plan plot details and so on in my mind. When I return to the keyboard, I’m mentally refreshed. The progress I make doing this is far exceeds the results when I force myself to sit in front of the computer screen until I reach my “word or page quota.” In the end it’s about making progress toward a completed manuscript. Some days our work is easier to show than on other days, than on the “quiet mind” days.

The next time you hit a wall with your writing, try sitting and quieting your mind. Think about options for your narrative, or how you might shape the story. If you can’t shake the feeling that you aren’t writing if you think about your project, consider it “pre-writing.” Since the writing process is recursive, remind yourself that you’re going back to “stage 1” to develop the idea and settle into the plan for the next chapters or scenes. Project do benefit from “quiet mind” days. You’re still working; you’re still writing.

Write Through the Holidays

The holidays have arrived. Allow me to wish you a most merry holiday dash! For many people, CharlieBrownTreemyself included, the holidays herald the added stress of a longer to-do list, too little time, and frustration at fitting in writing time. When I was still working full-time and freelancing (instead of writing full-time), it was even more stressful because I’d offer myself an early gift of making more time to write. Disaster. Over the years, and especially since transitioning to full-time writing, I’ve learned to balance writing and all the holiday prep using four guidelines:

broken-orn First, back off on your expectations (and this applies to non-writing parts of life, too). This is NOT the time to set outrageous goals to get your family to support or encourage you as a writer. Be realistic. If you normally make time to write four days a week, aim instead for two or three days per week during December. You have twice the work load with holiday shopping and prep (especially if you’re hosting family for dinner or celebrations).

Second, make a list of writing-related activities and target achieving those instead of adding word count to your work-in-progress. What is one thing you can do daily (or four times a week, or whatever your goal) to make progress with your writing? Items for this list might include, reading, exploring publishers, finding authors similar to your project (for the pitch letter), drafting a project summary or cover letter, making outline notes, or even thinking about how your character will face the next obstacle. These are all related to writing and your current project, even if some do not include putting words to paper. For example, reading articles about writing craft in a magazine or on a website about will help you with your writing after the holiday prep is completed.

Third, keep a notebook with you. When I was starting out, I wrote magazine articles so I kept a notebook with me at all times, making notes and jotting ideas based on my experiences with family and friends. An article about what women do while men watch football? Tips for faster clean up to get out of the kitchen and back to the gathering? Ideas for occupying little ones during “boring grown-up talk”? I recorded them all, without judging the quality or feasibility. (Those decisions were made later.)journal Likewise, I noted mannerisms and details that could be used to make fiction characters come alive.

Four, journal more frequently. This is still my trick for making writing progress during the holidays. I faithfully wrote daily in my journal (though I frequently skip days at others times of the year). This gave me the chance to clear ideas from my head and record plot and scene summaries for current writing projects. It also served as a way to put words to paper on a regular basis, even if I only wrote a few paragraphs. After the holidays it’s easy to look at these summaries and plan, then get back to a regular writing routine. Like working out, it was easier to get back into full swing because I kept the muscles warmed up with daily short writing.

If you do not normally journal, now is a great time to take it up. At the very least, jot thoughts and ideas in a notebook for use later. It may provide an added “gift” of creating a regular writing routine to build from after the holidays.

HappyHoliday

5 Lessons From a Writing Challenge

In-class writing prompts are incorporated into all of my writing workshops. Depending on their creative style, participants either love the challenge or hate it. Some writers thrive on receiving a story prompt and having a time limit for coming up with a creative response on the spot. Others need to think about it, allowing the possibilities to simmer and evolve before they’re ready to write. These are the participants who grumble about “writing on demand.” Still, sharing afterward and hearing how each writer tackled the challenge remains one the most enjoyable parts of each session (according to the evaluations on the last day).

The challenge of writing "on demand" pushes beyond the comfort zone.

The challenge of writing “on demand” pushes beyond the comfort zone.

Stretching beyond our comfort zone often ends with positive results. It keeps us from stagnating. It can also serve as a creative shot in the arm. So, for writers, challenging ourselves–whether with a different writing style, new prompts, or a writing contest–is important.

This is one of the reasons I signed up for NaNoWriMo (National Novel Writing Month) this year. I probably write more than the word count goal each month on all my projects combined, so the challenge for me is in drafting 50,000 words on a new, single project (in addition to what I normally write). I also tend to write to an outline–or at the very least use my “bullet and build” approach. But for NaNoWriMo I’m working as a “pantser” (that’s someone who writes “by the seat of the pants” instead of planning).

It’s the middle of week 2, not quite halfway, and I’ve already learned a lot. The lessons are important for new writers to remember, too:

1.  Just write. The idea is to get thoughts to paper and do it on a regular basis. I took on the challenge to make daily progress on my pet project. The key for new writers:

Create a regular writing routine and stick to it (even this means writing every Saturday or finding 20 minutes each day).

2.  This is clay. Drafts are meant to be shaped and reshaped. In my case (this hot NaNoWriMo mess), huge sections will be loped off and reassembled. But, not until later. So, don’t get too hung up on making scenes perfect–or even keeping all the writing “rules” in line. This is only the first step toward a polished manuscript.

Accept the fact there will be revisions (and likely more than one round). It’s part of the process.

Where does the ACTION take place?

Where does the ACTION take place?

3.  Think in scenes. In order to make the word-count goal for the month, I’ve settled into writing whatever scene is coming to me. (I’m not worrying about linear “order.”) As I focus on scenes, I consider what details about the characters, setting, and events the reader needs to know at this point the story. This helps eliminate writing out or “explaining” back story that will likely be cut later. I can always add during revision.

All stories and characters have a past but the reader doesn’t need to know every detail (and always sprinkled in, never all at once).

4.  Don’t get bogged down in technicalities. As a planner I like to have my facts in place before I begin. What snakes would they plausibly encounter in the woods of North Carolina? What is a typical day’s schedule like at a parochial school? At this point, though, it’s action I’m aiming for. What they ate for breakfast is not as important as what they do to move toward story resolution. Whenever I’m tempted to stop writing and check something on the internet, I instead use brackets and write a brief note to address during revision.

Description is good, but don’t get carried away (See lesson #3).

Create a goal and aim for it to grow from the challenge.

Create a goal and aim for it to grow from the challenge.

5.  Don’t compare your progress with everyone else. We are each individuals with unique voice, style, and creative approach. These writing buddies are not me with my goals (and juggling my life). Likewise, I don’t know what they are dealing with in their lives, so any comparison would likely be apples to oranges. Best to skip it. I’d rather focus on racking up the words to meet my goal (and with luck meet the overall goal of 50,000 words in 30 days).

Don’t compare your writing skill, progress, or ideas with other writers either. We are all different writers and different people. Embrace that.

Good writers never quit learning and developing their craft and growing in skill. Pushing beyond our comfort zone is a way to ensure we continue improving. So, embrace the challenge and write.